Casey Faris profile

Creator profile · Resolve, Fusion, editing, VFX

Casey Faris

Casey Faris focuses on DaVinci Resolve, Fusion, editing and VFX, breaking professional post-production techniques into practical workflows for creators building stronger video skills.

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7 published items from this creator.

Video Feature

How to Make Text Follow Motion in DaVinci Resolve Without Overcomplicating the Track

Casey Faris breaks down four ways to attach text to moving shots in Resolve, from a basic tracker to a full 3D camera solve.

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Video Feature

The Resolve Workflow Casey Faris Says Pros Use Before Anything Else

Casey Faris lays out a six-step DaVinci Resolve order that treats the edit as the foundation and keeps color, graphics, and audio from becoming wasted work.

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Video Feature

How Casey Faris Turns DaVinci Resolve From Intimidating App Into a Usable Workflow

The video is less about memorizing buttons than learning a workflow: import, edit, composite, grade, mix, and export.

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Video Feature

The Resolve Workflow That Turns a Voiceover Into a Finished YouTube Video

Casey Faris’s tutorial is less about one editing trick than a repeatable method: write the voiceover first, map the shots in the timeline, build a rough cut quickly, then refine the project in passes for color, graphics, and audio.

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Video Feature

Three Ways to Remove a Background in DaVinci Resolve, and When Each One Is Worth It

Casey Faris breaks background removal into three practical paths: key a green screen, lean on Magic Mask, or build a cleaner cutout in Fusion when the shot needs more control.

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Video Feature

How to Add Text in DaVinci Resolve Without Overbuilding the Shot

Casey Faris breaks text work in Resolve into a simple ladder: basic titles for speed, layered text for control, Fusion for custom motion, and tracking when the graphic needs to move with the shot.

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Video Feature

The Resolve Editing Mistakes Casey Faris Keeps Seeing, and How to Fix Them Faster

Casey Faris and Dan use three creator videos to show the same pattern: weak openings, avoidable design choices, and too much footage that doesn’t earn its place.

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